Two longtime accompany of administrator Luca Guadagnino added their claimed blow to “Call Me by Your Name,” his beastly summer affair from Sony Pictures Classics that’s set in arctic Italy in 1983.
An autogenous decorator by trade, first-time set decorator Violante Visconti (Luchino Visconti’s grandniece) dressed the 17th-century alcazar area boyish Elio (Timothée Chalamet) lives with his bookish parents, the Perlmans (Michael Stuhlbarg and Amira Casar) and avalanche for the visiting American intern Oliver (Armie Hammer).
Fashion artist and echo Guadagnino assistant Giulia Piersanti created the film’s chaste costumes.
Visconti conceptually affiliated the Perlmans’ acquaintance with the villa’s cornball accomplished to attain the eclectic, busy feel of a acutely admired home. “[Much] of the appliance belonged to my father,” she says. “That fabricated it comfortable and personal. The Perl-mans are open-minded. They adulation books, music, history. … Their abode is amenable and non-structured, with flowers from the garden, appliance from their travels. It was there for generations. The Perlmans affiliated it and added their lives to it. I capital to accord it the faculty of time casual by.”
Most of the dishes and ’50s glassware belonged to Visconti’s parents and to Guadagnino. Maps, mirrors and paintings with Asian influences primarily came from Piva, an antiques abundance in Milan.
Visconti is abnormally addicted of the pinkish couch in the library, a axial allotment in a cardinal of scenes, calling it “a shabby-chic daybed in a abode abounding of activity and memories.” She recalls her accord with Samuel Deshors, the film’s assembly designer, who conceptualized abounding exteriors. “We acutely couldn’t accept a accustomed pond basin in this array of garden,” she says. “[Samuel] had the able abstraction of axis an beastly watering canal into a pool.”
For the costumes, Piersanti abhorred activity overboard. “Very period-y clothes would accept done a disservice to the film,” she says. “The key was giving a faculty of airy boyish sensuality, summer calefaction and animal awakening. I capital to adumbration at a nostalgic, abeyant period.”
As a result, Piersanti ashore with a few key pieces for anniversary character. She pulled from her own memories of Italian summers, represented in Eric Rohmer’s “Pauline at the Beach,” “A Summer’s Tale” and “A Tale of Springtime.” For the Perlmans, she drew afflatus from her parents’ photo albums.
“[Much] of the appliance belonged to my father. That fabricated it … personal.”Violante Visconti
Mrs. Perlman’s accidentally chichi wardrobe, consisting of alacrity and army blooming shirts and cottony bourette shorts, was custom-built based on best Armani pieces. Aiming to differentiate Oliver’s looks from anybody else’s, Piersanti chose big Ralph Lauren shirts, abbreviate shorts and aerial acme for him. “I was attractive at some of Bruce Weber’s ancient photographs, of the ’80s sexy, advantageous American man,” she says.
For Elio, who wears affluence of Lacoste throughout, Piersanti capital to accent his evolved, assured appearance in the final arena with a adventurous shirt that came from a best boutique in Milan. But she is mostly agog on Elio’s bittersweet polo shirt and Fido Dido T-shirt. “They are from my husband’s closet,” she reveals. “I adulation that they will break always on film.”
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